Showing posts with label Feltre. Show all posts
Showing posts with label Feltre. Show all posts

Saturday, 31 January 2015

Words like violence Break the silence

I finally have restarted running.
The last months have been quite strange as different types of problems kept me away from some of the things I like to do.

But now... new year, new life or, making more sense, better life.

Following some of my friends, the real ones that you always realize you meet too little, I found very nice places where to run. Quite hard to reach, on top of hills, but really nice and most of all, quite close to my place.

Running though is a hard stuff. If you stop, even three  weeks, it will take three months to come back to the point where you were.
And, unfortunately, that was the case.
I was running uphill, huffing and puffing, looking down as I was scared of what was still to come.

Motivation, resilience and all the good words I wrote about in this Blog during the last months were hammered down by a miserable form and too many happy dinners during Christmas holidays.

Then I suddenly stopped. Still breathing hard and looking down.
BPM were quite above 160... too much to keep for a long time in such a bad condition.
Slowly I went down to normal and I could look around. And...




This is what I saw. This is what I could have enjoyed if I only had used my forces wisely and not, as usual, trying to go faster.
Immediately the "COMPETIVE" approach was replaced by the "MEDITATIVE" one.
Is it always necessary to compete, to show yourself and everybody your muscles and letting other great and important things pass?

I decided then... for a while I will run looking around and enjoying what's around me. I will meditate and not always compete.

Going at the speed that you can keep is the only way we have to do the right things in the right time.

Always, while running and while working. To really see what's around, listen and act with some more facts in front of me.

At least until I will be back to a decent level.

As a new king around his realm.

Enjoy...



Saturday, 25 January 2014

It's a kind of magic

"The sculpture is already into the block of marble. The artist must only free it."

This is what Michelangelo used to say in the 15th century and this is what he managed to do ONLY freeing the sculpture from the marble block.



Nice one, isn't it?
We could say that also nice paintings are trapped into the pencil or the brush and the artist's task is "just" to take them from there to the canvas.

But how?



These are both paintings. YES! Even the first one that looks like photography.

The painter in that case is Diego Fazio a.k.a. Diego Koi while the second one is, as most probably all of you recognized, Pablo Picasso.
What's the difference then? Not that the Picasso woman got stuck while going out of the pen, but the WAY people are using their talent and skills is different. What's behind these skills is always difficult to understand. And it's not only the 10.000 hour rule saying that takes roughly ten thousand hours of practice to acheve mastery in a field (see "The Outliers" by Malcolm Gladwell)

They are, in my humble opinion, both mastering their field.
They are just showing that in different ways coming from:
- their life experiences
- their ideas
- their skills

To better understand this, let us look at photography.
I am so lucky to live in one of the most beautiful mountain areas of the world: The "Dolomiti Bellunesi"


What's behind these fantastic pictures? Is it just being in the right place in the right moment? (thanks to Federico Musashi)
Is it a question of luck or of being quick at taking out the camera and shot?



Well not only that...



The GREAT RESULTS are always a mix of:

- Training
- Skills
- Passion (love your work)
- Preparation

7 minutes of difference are crucial to take the picture you want to take and you must probably camp for days to take it as the weather conditions as always unpredictable.

In this quick discussion about artists and talent we forgot about some important things though.

How many failures they had? How many times Michelangelo hammered the wrong point? How many Picasso sketched something he didn't like? How many wrong takes are behind a breathtaking picture?
But also, who were their mentors or guides that saw their talents and gave them the directions? 

None of these artists has stopped trying and improving and none was scared or discouraged by the mistakes. They all love what they do and this is the fuel to keep their passion.

This is not only valid for artists though. It's also true in our everyday life!
Whoever manage people has a big responsibility not only for the company they are working for but also for the people they are managing (not to mention the responibility we have for our children).

If you manage people you must understand their talents, mentor and support them when there are problems or difficulties.
Everybody is a nice sculpture trapped into a marble block. It's just a question of be freed.

Have a nice week end

Saturday, 5 October 2013

People always get used to beauty, though.

I always thought that people get used to beauty. And today, surfing the internet, I found that also a good writer, John Green has the same idea.

And this is also what I thought last week, when, unfortunately , it was everything but a beautiful day.
It was raining and that was one of the typical days in which you start understanding that summer's over and now it is time to start wearing your raincoat.
We decided to go to a new museum. The MUSE in Trento.
Designed by a great Italian architect, Renzo Piano, this is part of a bigger former industrial area that has been completely transformed called
Le Albere.





This is at the foothill of the mountains and, in its modern development, it is designed not to take the scene to the majesty of the Dolomites (the mountains that are in that area) but to properly mix with the nature thanks also to the high quality of the finishing that is minimising the consumptions.
It is using local materials, the same wood that you can use in the old houses built in that area. And the same wood that was used in the Paganini's violins and in this fantastic speaker set.




Everything was build with the same concept:

-use local materials
-create something that is not "shouting" but that is well placed in the environement.

Everything not to take the attention out from the natural beauty that is all around and that, after a while, people do not see anymore.




This is where I live. That's what I can see (almost) every morning. (Not today... unfortunately it's raining for the week end, again!)
There is no artifact, no human product that will be able to compete with the natural beauty of these mountains.
So, the only possibility is to produce, to build, to create things that are helping the natural beauty to be well appreciated.
This is normal for me. I often do not even see what's around as I am also used to that beauty.
But I am lucky enough to have guest from all the world and they are opening my eyes, often closed and looking at the daily problems.

And thank to the people that give respect to this natural masterpiece, people like me should remember that we need to always give the importance to this.

Is this art? It probably is. Not the art as we commonly think about but still art. Something that we must take inspiration from and not destroy.

And most of all, art that we must Always remember to properly appreciate.
This year is the 50th anniversary of one of the most tragic events that happened in this area. The flooding of a massive area on the Piave river. This is the tragedy of the Vajont Dam. You can have a look at the story clicking on this link.
On 12 February 2008 UNESCO cited the Vajont Dam tragedy as one of five "cautionary tales", caused by "the failure of engineers and geologists".
We should always remember this.
Never try to win the Nature. Just help the Nature being appreciated.


That's all for today. I just want to finish with a link to a TOP GEAR episode. This is my favourite one. Jeremy Clarkson is presenting one of the most Amazing Italian Cars. The ALFA ROMEO 8C. Pure art.